BEN CARSON’S BIGLY STUPID SLAVE VS IMMIGRANT COMMENTS ROCK INTERNET



Ben Carson’s began his first full week as secretary of Housing and Urban Development describing African slaves as “immigrants”. The remark, which came as part of a 40-minute address on the theme of America as “a land of dreams and opportunity,” was met with swift outrage online.

Mr. Carson turned his attention to slavery after describing photographs of poor immigrants displayed at the Ellis Island National Museum of Immigration. These new arrivals worked long hours, six or seven days a week, with little pay, he said. And before them, there were slaves. Tim Black turns up the heat on the dumb Doc.

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Gram Parsons & Emmylou Harris – Hearts on Fire



Gram Parsons & Emmylou Harris – Hearts on Fire……… In 1971, Gram met Emmylou Harris. He asked her out to California to do harmonies on his first solo album, “GP”, for Warner Bros. Also recruited for the album were three members of Elvis Presleys band, James Burton, Glen D Hardin and Ronnie Tutt. Barry Tashian was enlisted as well. Burton, Hardin and Tashian would all go on to be members of Emmylous famous Hot Band.
1973 found Gram, Emmylou and the Fallen Angels touring the U.S. and recording “Grievous Angel.”
September 19, 1973, while on vacation, Gram died in a motel in Joshua Tree, CA, a hauntingly beautiful part of the Mojave/Sonoran Deserts. The coroner ruled “natural causes.” Phil Kaufman stole the body and burned it in the Joshua Tree National Monument, fulfilling a pact that he and Gram had made.
In January 1974, Grievous Angel was released.
The long list of musicians Gram Parson influenced includes but is not limited to Elvis Costello, U2, Rodney Crowell, Dave Edmunds, The Jayhawks, Marty Stuart, Black Crowes, The Lemonheads, Nick Lowe, Uncle Tupelo, Son Volt, Tom Petty, The Eagles, The Rolling Stones and of course, Emmylou Harris, who carried his musical vision to fruition and beyond.
Why Gram Parsons never achieved too much fame in his lifetime and to many it is a mystery. His songwriting, voice and his choice of musicians was a winning combination. Even in death, he was eclipsed by Jim Croce (of “Bad Bad Leroy Brown” fame), who died the day after Gram and received the media attention that still eluded Parsons.

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Roy Orbison “Blue Angel”



“Blue Angel” written by Roy Orbison and Joe Melson was Roy’s follow up hit to “Only the Lonely” Released on Monument Records in 1960, it peaked at number 9 on the Billboard Hot 100. Co writer Joe Melson and the Anita Kerr Singers performed the vocal backup. It can be found on the CDs, For the Lonely — 18 Greatest Hits on Rhino and the All-Time Greatest Hits of Roy Orbison on Sony. Roy was a cool guy and is greatly missed. This sound recording is administered by IODA. I do not own the right to the song, audio, or images contained in this video. . No copyright infringement is intended. This purpose of this upload is for viewer enjoyment and education not for monetary gain.

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Rock & Roll ’50 ’60 – Full Album – Vintage Music Songs



Rock & Roll ’50 ’60 – Full Album – Vintage Music Songs

l rock and roll (spesso scritto anche con la grafia rock & roll o rock ‘n’ roll) è un genere della popular music nato negli Stati Uniti tra la fine degli anni quaranta e l’inizio degli anni cinquanta, originato dal blues, dal bluegrass, dal country, dall’R&B, dal jazz, dal gospel e, in misura minore, dal folk.
Attorno alla metà degli anni sessanta, il rock and roll si evolse in quello stile più generico e internazionale chiamato “musica rock”, sebbene abbia continuato a essere definito spesso con il nome di rock and roll.
Anche se elementi di rock and roll riecheggiano nelle registrazioni country del 1930 e nei dischi blues dal 1920, il genere acquisì il suo nome non prima del 1950.Una delle prime forme di rock and roll fu il rockabilly, che unì country e jazz, con influenze di musica tradizionale folk degli Appalachi e di gospel.Nei primi anni in questa musica, il pianoforte ed il sassofono erano spesso gli strumenti principali, ma, nel corso degli anni, questi vennero progressivamente sostituiti da chitarre elettriche. Il ritmo è essenzialmente boogie-woogie, con un accentuato backbeat, quest’ultimo quasi sempre fornito da un rullante; la formazione classica di una band di rock ‘n’ roll comprende storicamente anche una voce (spesso anche con armonizzazioni vocali o cori), oltre che un basso ed una batteria.
Il rock and roll raggiunse una vasta popolarità nel 1960, avendo un ampio impatto sociale. Bobby Gillespie scrive che «Quando Chuck Berry cantava “Hail, hail, rock and roll, deliver me from the days of old”, questo era esattamente quello che la musica stava facendo. Chuck Berry fu il fautore di quella evasione globale psichica chiamata rock ‘n’ roll.» Ben oltre un semplice stile musicale, il rock and roll, come si vede nei film e in televisione, ha influenzato stili di vita, moda, atteggiamenti e linguaggio, originando inoltre altri sottogeneri musicali. Il termine “rock and roll” assume almeno due significati: sia l’American Heritage Dictionary che il Webster’s Dictionary lo definiscono come sinonimo di musica rock. Allwords.com, tuttavia, si riferisce con questo termine specificatamente alla musica degli anni 1950.

TRACKLIST:
1) Bob Luman Hello Baby 00:00:00,00
2) Ritchie Valens Come On, Let’s Go 00:01:50,15
3) Roy Orbison Ooby Dooby 00:03:50,17
4) Etta James Tough Lover 00:06:00,14
5) Joe Bennett Black Slacks 00:08:08,16
6) Arvee Allens Fast Freight 00:10:14,12
7) Johnny Burnette I Love My Baby 00:12:10,13
8) The Bobbettes Mr. Lee 00:13:47,23
9) Elvis Presley I Got Stung 00:15:59,18
10) Bill Haley Crazy Man Crazy 00:17:48,19
11) Bobby Knox & Jimmy Browen Party Doll 00:20:25,17
12) Johnny Tillotson Well I’m Your Man 00:22:35,09
13) Hank Ballard The Twist 00:24:49,08
14) Sheb Wooley The Purple People Eate 00:27:22,19
15) Buddy Holly Oh Boy! 00:29:34,18
16) Johnny Otis Willie And The Hand Jive 00:31:40,13
17) Eddie Cochran Jeannie, Jeannie, Jeannie 00:34:13,05
18) Elvis Presley Jailhouse Rock 00:36:33,10
19) Don & Dewey Koko Joe 00:39:03,01
20) Chuck Berry No Particular Place To Go 00:41:13,05
21) Frankie Avalon Venus 00:43:53,11
22) Gene Vincent Bluejean Bop 00:46:12,06
23) Fats Domino I’m In Love Again 00:48:33,05
24) Boyd Bennett Seventeen 00:50:26,10
25) The Clovers Love Potion No. 9 00:52:30,01
26)The Champs Tequila 00:54:19,24
27) Brenda Lee Let The Four Winds Blow 00:56:28,09
28) Cliff Richard High Class Baby 00:58:34,03
29) Ray Charles I Got a Woman 01:00:41,22
30) Bill Haley Hot Dog Buddy Buddy 01:03:29,24
31) Charlie Rich Gentle As A Lamb 01:06:03,24
32) Amos Milburn Chicken Shack Boogie 01:08:48,15
33) Bobby Darin Oo-Ee Train 01:11:16,20
34) Elvis Presley All Shook Up 01:13:21,04
35) Tommy Sands Man, Like Wow 01:15:16,20
36) Jerry Lee Lewis Breathless 01:17:05,13
37) Buddy Holly Not Fade Away 01:19:45,21
38) Bobby Day Rockin’ Robin 01:22:00,16
39) Link Wray Rumble 01:24:33,14
40) Carl Perkins Glad All Over 01:26:58,09
41) Chuck Berry Rock And Roll Music 01:28:37,22
42) Little Richard Lucille 01:31:07,24
43) The Monotones Book Of Love 01:33:30,08
44) Duane Eddy Night Train To Memphis 01:35:48,09
45) Conway Twitty My Babe 01:37:36,14
46) Jackie Wilson Reet Petite 01:40:08,01
47) Don Gibson If You Don’t Know It 01:42:48,01
48) Bob Luman Johnny B. Goode 01:44:58,16
49) Ricky Nelson Shirley Lee 01:47:47,13
50) Dale Hawkins Back To School Blues 01:49:45,09

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