Remember The Monsters – The Pieces Remain [HD]

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the everly brothers – so unhappy(to observe good love go unhealthy)
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.


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Metallica: Murder One (Official Music Video)

From the album “Hardwired…To Self-Destruct” available everywhere on November 18.

Directed by Robert Valley

© 2016 Blackened Recordings

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The Yardbirds – Boom Boom

Written by John Lee Hooker; included on the Repertoire reissue of For Your Love.
Boom, boom, boom, boom
I’m gonna shoot you right down
Knock you off of your feet
And take you home with me
Put you in my house
Boom, boom, boom, boom
Boom, boom, boom, boom
Yeah, yeah, yeah, yeah
I love to see you strut
When you’re walking to me
When you’re talking to me
That knocks me out
Boom, boom, boom, boom
You know I like it like that
With your baby-talk
Oh, and the way that you walk
You know it knocks me right down
Knocks me off of my feet
Boom, boom, boom, boom
Yeah, yeah, yeah, yeah
Oh, oh, oh, oh
How, how, how, how
Yeah, yeah, yeah, yeah
Now, now, now, now


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DEADHEADS, a short and entertaining film about the fans of the Grateful Dead

This project was done with humor, truth, and sarcasm. At the University of California, Santa Cruz, UCSC, where I went to college, there were many fans of The Grateful Dead. They called themselves Deadheads. I had not heard of the band before attending the school. I listened to the music, and I didn’t understand why people felt so passionately about the band. I was intrigued. So in 1986, I decided to try and understand these people and the music they loved, and to create a video of my quest. This documentary project is the result. Enjoy.


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Austin City Limits 2107: Allman Brothers Band – “Midnight Rider”

Austin City Limits welcomed the ground-breaking champions of southern rock, The Allman Brothers Band during Season 21. In a phenomenal hour-long performance, the Allmans affirmed their rock legend status with a mix of blues-drenched soul and rock.

Austin City Limits (ACL) offers viewers unparalleled access to featured acts in an intimate setting that provides a platform for artists to deliver inspired, memorable, full-length performances. The program is taped live before a concert audience from The Moody Theater in downtown Austin. Austin City Limits is the longest-running music series in American television history and remains the only TV series to ever be awarded the National Medal of Arts. Since its inception, the groundbreaking music series has become an institution that’s helped secure Austin’s reputation as the Live Music Capital of the World. The historic KLRU Studio 6A, home to 36 years of ACL concerts, has been designated an official Rock & Roll Hall of Fame Landmark. In 2011, ACL moved to the new venue ACL Live at The Moody Theater in downtown Austin. ACL received a rare institutional Peabody Award for excellence and outstanding achievement in 2012.

Austin City Limits is produced by KLRU-TV and funding is provided in part by Dell, the Austin Convention Center Department, Shiner Beers and Additional funding is provided by the Friends of Austin City Limits. Learn more about Austin City Limits, programming and history at


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Roy Orbison – Oh, Pretty Woman

“Oh, Pretty Woman” is a song, released in August 1964, which was a worldwide success for Roy Orbison. Recorded on the Monument Records label in Nashville, Tennessee, it was written by Roy Orbison and Bill Dees. The song spent three weeks at number one on the Billboard Hot 100. Billboard ranked the record as the No. 4 song of 1964. “Pretty Woman” was also Orbison’s third single to top the UK Singles Chart (for a total of three weeks). The previous Orbison singles to reach No.1 in the UK were “Only the Lonely” in 1960 and “It’s Over” earlier in 1964.

There were three guitar players on the session, Billy Sanford, Jerry Kennedy and Wayne Moss. Billy Sanford, who later played session for everybody from Elvis to Don Williams (and took to the road with Don in the 1990s) did the kick-off. Williams introduced him as a kid who had just arrived Nashville, with a borrowed guitar, who heard Orbison was minus a guitar player, who went over and got the gig. Other musicians on the record included Floyd Cramer on piano, Bob Moore on an upright bass, Boots Randolph and Charlie McCoy on sax, and Buddy Harman and Paul Garrison on drums. Orbison also played a 12 string epiphone.

The record sold seven million copies and marked the high point in Orbison’s career. Within months of its release, in October 1964, the single was awarded a gold record by RIAA. Orbison posthumously won the 1991 Grammy Award for Best Male Pop Vocal Performance for his live recording of the song on his HBO television special Roy Orbison and Friends, A Black and White Night. In 1999, the song was honored with a Grammy Hall of Fame Award and was named one of the Rock and Roll Hall of Fame’s 500 Songs that Shaped Rock and Roll. In 2004, Rolling Stone magazine ranked it #222 on their list of the “500 Greatest Songs of All Time,” and in 2012, Texas Music magazine ranked the song No. 7 on its list of “The Top 50 Classic Texas Songs.”

Please visit Roy Orbison’s Official Website at


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