Musical Improvisation Basics – Four Strategies For Playing Wrong Notes

While it probably does not seem like this would help – let's face it – if you are unwilling to play a lot of wrong notes, you're never going to learn how to do anything hard. And improving is hard! It is not something that you can do safely, with the assurance that you will look good while trying to get good at it. You will not look good. You will not sound good – and the sooner you realize this, the sooner you will be able to do something of real value.

Strangely, we are from a culture that reinforces the idea that we should always look
good. I mean there are actually people who think you should look good when you're
sick. When you get up in the middle of the night. Or when you have not slept for 36

Get the picture?

So, now that that's said – what is the best strategy for playing wrong notes and
actually making progress at the same time?

De-emphasizing Note Values

I have found that the best way to start is by de-emphasizing note values ​​- focussing
instead upon rhythm, texture, density and shape. Music is way more than just the
notes you play, and note selection tends to be the very thing that stops people in
their tracks. Thus, my "Wrong Note Strategy."

The following are possible points of departure for playing wrong notes – properly:

Melodic Shape – Conceptualize a melody – do not get too specific with notes, but
think only in terms of the overall shape of the line. Does it go up? Does it climb?
Does it jump? If you have a hard time, try creating a melody on your instrument
that is shaped like something else. I think it was John Cage (a rather famous
composer) that used the New York skyline as the basis for a piece of music. My vote
is, if John Cage can do it, we can too.

Density – Think about density. Are there a lot of notes all close together? Or are
they spaced wide apart? Density shape is determined by where there is little space
between notes, and where there is a lot of space. It is applicable melodically,
harmonically and rythmically. I think there are even methods of encoding data that
use this approach (can not remember the name of it). I figure, if it's OK for Intel to use
this concept for data, I think it's OK for us to use it too.

Rhythm – What about a rhythmic approach? What if note values ​​were totally
unimportant, and we thought only percussively about the music? Like using blocks
of notes – dissonances as though playing drums with the keyboard (or whatever)? It
seems to have worked for legions of 20th Century composers, so why not for us?

Texture – How about making sounds – funny sounds – on our instrument? I
Remember working with a violinist from the LA Philharmonic, who told me she
could not improve. I asked if she could make noises. She said, "Oh sure! I like
making really funny noises like this; and this; and this. "We proceeded to" play funny
sounds "for the next hour and a half, experimenting with all sorts of melody,
harmony, rhythm and texture – coming up with some really beautiful stuff, after
which she asked, "was that improving?" I said, it sure was, and she was totally
changed by the experience.

I love that story, because it really shows that all we really need is permission to play
"wrong" notes. Once we are willing to do that, then we can experiment – often on a
very high level – with the vital textural, rhythmic, shape and density aspects of

It still communicates, it's really creative, and it really is music.

So play some wrong notes today!

Source by Ben Dowling

Role Playing Text Games: MUDs and Music

Music is a large part of life, and it can enhance almost everything … so it makes sense that it can affect your role playing game experience. A solid music selection can really make your MUD experience that much more dramatic. Sure the background noise of television is alright to listen to while playing your favorite text-based game, but music enables you to feel more emotions, and extremely get more enjoyment out of it. You can act as your own DJ to figure out what songs are best for you to listen to while you role play.

Death Metal, Classical, Pop … any of these genres could have the key to enhancing your actions in the text-based world that much more. Depending on your mood, it could change day to day what you feel like listening to, and what fits with your role playing game experience. What bands and songs you listened to can even influence how you take on events in your character's life. Music could be that missing element that helps you fully immerse yourself into your character. And depending on your character and the situation, there are a range of different music styles that you can choose to listen to while playing your text game.

Imagine what fun could have been listening to Michael Jackson's "Thriller" while taking on some undead. Do not deny your other senses – your eyes may be all that you technically need to play, but your ears can offer just as much. In fact, all of the senses can enhance your role playing game experience; music is just an easy and oft-preferred method, with a multitude of studies behind it to back its use up. Music has been used for ages to strengthen moods, and help with things such as depression, fatigue, relaxation, and much more.

One of the main things a person will often remembers after playing a game is the music used to complement the gameplay. The perfect note or set of lyrics could could really strike a chord with your character's life and create a forcefully evocative experience. By listening to songs while going through personal events in-game, there is a possibility for a much stronger and more lying experience to be had. Music is a major source of connection and identity. Personal taste next, you can even still dislike a song and have it draw forth a powerufl emotional reaction such as hate, dislike, fear or disgust.

Role playing experiences (like those found in a role playing MUD) and music can really go hand in hand together to provide a much richer experience. The many ways one can personalize the two and create an even more truly unique experience is unlimited. A new song or a new change in your game could result in something completely fresh. So the next time you log on make sure not only to use your eyes, but use your ears as well.

Source by Christopher K Davis

Easy Piano Music – How to Start Playing Easy Piano

Learning any musical instrument is an easy task, if the learner has a lot of determination and commitment. Piano learning is no exception and learning it is easy, if one is passionate about learning. Learning to play piano is an asset and creating your own music with chords and structures is an achievement. Today more and more people prefer to learn easy piano music that allows them to experience the pleasure of playing piano, without any glitches.

Getting started

Easy piano lessons and music make the entire process of learning piano, very simple. Easy piano music lessons offer one the luxury of beginning to learn piano, using three or four chords. For beginners, repetitive songs make them accustomed to the keys, chords and the pleasant melody involved in the tunes. 'Chop sticks', an easy piano classic is ideal for beginners and this acts as a template, on which complicated compositions can be built.

Easy piano songs

To learn easy piano music, a person has to select songs that are easy to play on a piano. The easiest song that is preferred by young and old alike, is the song, 'Mary had a little Lamb'. The song's tune is a three-note tune and this allows the learners to be familiar with the keys and use their hands dexterously. Songs like these are building blocks, in the process of learning. Songs like 'Jingle Bells', 'Row Row, Row your boat' and 'Ode to Joy' are ideal for beginners. Choosing songs like these help one to master easy piano music, without any complication.

Easy piano classics

It is not true that when a person learns easy piano music, he learns songs that are simple and mundane. He / she can also experience playing classics, which are easy to play. The simple and classic compositions of the renovated musicians like Bach, Chopin and Beethoven offer the joy of playing classics on a piano, in a simple and lucid manner!

Easy piano classics are available online and one can download it from a particular site. They are also found in the form of CDs and even as musical scores. One can choose any form, depending upon his / her convenience. Learning the uncomplicated classical composition of the great masters is the first step towards learning more complicated songs.

Contemporary songs

Learning Easy piano music is inclusive of learning to play easy songs, easy piano classics and also contemporary songs, that are easy. Beginners consider learning contemporary songs, a pleasure. A gamut of songs are available that are timeless and simple, in the music galleries, across the globe. Songs like 'My heart will go on', 'somewhere out there', 'Unchained melody', etc are great songs that are also uncomplicated compositions.

Easy piano music can now be learnt online or using tutorials. A wide variety of websites offer classes on piano music and also teachers the learners easy ways to learn piano music. A person learning piano online or preferring self study must put in a lot of effort, unlike somebody, who learns piano, under the tutelage of a reputed teacher. He / she must work hard and concentrate their complete energy towards mastering their piano playing skill.

Only a person with total devotion, extreme passion and the urge to learn every nuance of playing piano becomes a great musician. Mastering the chords is the first step and the rest follows. Learning a few easy songs and classics can make a person restrict his talents. One has to learn, explore and experiment with music. A true musician masters basics practices consistently and finally focuses all his / her efforts in creating charming tunes that entertain and elevate!

Source by Yoke Wong

Dobro Classes – Music Idea + Enjoying by Ear = Tremendous Musician!

Here are 3 things I recommend you memorize.

1. All the notes of the dobro or specific instrument
2. All the Key Signatures
3. All the Chords and Chord Tones for each key Question: Why do this?' v.href ' Answer: To gain a more complete understanding of your instrument, and to know where you are at all times and to know why what you are playing may sound good and why it may sound not so good.

source Question: Is there an easier way? Can I get around not knowing any music theory and not knowing where any of the notes on my instrument are located?

Answer: I have found if you do not want to learn any music theory one can still play and in fact get quit good. Tons of great players have done it, and this is what I think ones options are if they want to get really good, but do not want to learn any music theory.

No Music Theory Option 1:

(I highly recommend doing this "In addition" to also understanding music theory)

To simply transcribe tons and tons and tons of songs, solos, rhythm playing, song forms, etc … so many that you can use the memory of those solos to dictate what you should play when you hear it in the context of a song . Your memory of all the songs and solos that you've learned and transcribed will trigger a muscle memory with your fingers and mind, and it will be like you are speaking with your instrument. Simply reacting to what you hear like you would if you were carrying on a conversation with someone. You will see all the patterns, and scales, and key signatures more as shapes that you equate to things that you've learned from solos, songs, and other musicians. You will have a working knowledge of the theory, but will not know why any of it works. You just know it does.

This is actually a great way of learning, and this way combined with an understanding of music theory can dramatically improve your playing and improving in a much quicker way than just theory alone, or just transcribing alone.

Wtih theory you can take one thing that you transcribe and play it in other keys. Learn how to change it around and play it over other chords. Basically multiplying everything that you already know.

No Music Theory Option 2:

(I do not recommend doing this)

The slow way of improving …. Not transcribing solos and simply to use trial and error or "noodling" around, fishing for the right note, not having a clue why anything you play sounds good or bad.

Getting Started:

The Keys:

The Sharp Keys:

C MAJOR – C, D, E, F, G, A, B, C

G MAJOR – G, A, B, C, D, E, F #, G

D MAJOR – D, E, F #, G, A, B, C #, D

A MAJOR – A, B, C #, D, E, F #, G #, A

E MAJOR – E, F #, G #, A, B, C #, D #, E

B MAJOR – B, C #, D #, E, F #, G #, A #, B

F # MAJOR – F #, G #, A #, B, C #, D #, E #, F #

C # MAJOR – C #, D #, E #, F #, G #, A #, B #, C #

The Flat Keys

C MAJOR – C, D, E, F, G, A, B, C

F MAJOR – F, G, A, Bb, C, D, E, F

Bb MAJOR – Bb, C, D, Eb, F, G, A, Bb

Eb MAJOR – Eb, F, G, Ab, Bb, C, D, Eb

Ab MAJOR – Ab, Bb, C, Db, Eb, F, G, Ab

Db MAJOR – Db, Eb, F, Gb, Ab, Bb, C, Db

Gb MAJOR – Gb, Ab, Bb, Cb, Db, Eb, F, Gb

Cb MAJOR – Cb, Db, Eb, Fb, Gb, Ab, Bb, Cb

To Start Memorizing the Chords and Chord Tones Just Use these simple rules:

1) Chords are built in 3rds – Root, 3rd, 5th. Start with your root, skip a note, then you've got your third, skip a note, then you've got your fifth.

2) If you do that in a major key you end up with this pattern, harmonizing over each note of the scale: (examples are in the Key of G major)

1. = MAJOR ex. GBD
2. = minor ex. ACE
3. = minor ex. BDF #
4. = MAJOR ex. CEG
5. = MAJOR ex. DF # A
6. = minor ex. EGB
7. = diminished ex. F # AC


To memorize anything quickly, simply use NOTE CARDS, and make out a set for your Key Signatures, a set for your Chords per Key, and a set for your chord tones per key.

Carry them around with you and when you are waiting in line or just do not have anything to do. Pull them out and start memorizing them. In a month or so you will see dramatic upgrades.

Source by Troy Brenningmeyer

Rock and Metal News – A7X tour’s Japan then start new album! – Metallica in Turkey – Jordan Rudess – PHILM new album!

Avenged Sevenfold will tour Japan then start new album! – Metallica live video released from Turkey – Dream Theater’s Jordan Rudess interview – PHILM featuring ex-slayer drummer Dave Lombardo new album!

PHILM the band featuring drummer Dave Lombardo (SLAYER, AMEN), guitarist/vocalist Gerry Paul Nestler (CIVIL DEFIANCE), and bassist Francisco “Pancho” Eduardo Tomaselli (WAR) are going to release their 2nd album called, “Fire From The Evening Sun”, on September 16.

“Heavy Demons” radio show had a recent interview with Jordan Rudess of DREAM THEATER. Check it out below.

AVENGED SEVENFOLD guitarist Zacky Vengeance stated to
that the band will complete a short tour of Japan after they wrap up the Mayhem Festival then start working on a new album to follow-up “Hail To The King”. Stay tuned!

Metallica have released video from MetOnTour from the July 13th show in Istanbul, Turkey. Check out the rehearsal room, and “…And Justice For All” and “Turn The Page” live from the show below!


“Master Of Puppets”
“Creeping Death”
“Welcome Home (Sanitarium)”
“The Memory Reamins”
“The Unforgiven”
“Lords Of Summer”
“…And Justice For All”
“Sad But True”
Bass Solo
“Fade To Black”
“For Whom The Bell Tolls”
“Wherever I May Roam”
Kirk Solo
“Nothing Else Matters”
“Enter Sandman”
“Turn The Page”
“Seek And Destroy”

Keith Leroux of, posted KISS drummer Eric Singer live playing “Cold Gin” in Raleigh, NC on July 20th. Video below!

Sources: Blabbermouth, Bravewords


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